Volume 74, Issue 3 Spring 2021:View More Content
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Streaming Hope, Streaming Despair, Still Streaming
By B. Ruby Rich (pp.5-8)
It is a human habit, perhaps, to project the present into the future—a default mode that drives forward even when the road has crumbled. So it was with film in Year One of the pandemic, characterized by a state of denial shaded with panic
Pixels, Police, and Batons: Hong Kong Cinema, Digital Media, the 2019 Protests, and Beyond
By Cameron L. White (pp.9-12)
The 2019 Hong Kong protests witnessed not only sustained physical demonstrations by locals, but also a swell of online digital media that recorded and remixed conflicts between protestors and police.

Are You Being Sirred? Work in Progress, Nanette, Douglas, and the New Butch Middlebrow
By Sarah Kessle (pp.46-55)
Abby McEnany’s new comedy series Work in Progress (Showtime) and Hannah Gadsby’s recent standup specials Nanette and Douglas (Netflix) evoke “butch middlebrow”
The Veiled Avengers of Pakistan’s Streaming New Wave Bilal Qureshi
By Bilal Qureshi (pp.66–70)
The privatization of Pakistan’s media and television industry over the past two decades, along with the availability of high-speed internet and an easing of censorship, has revolutionized what plays in Pakistani homes.

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